Bernardo Bellotto

Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.
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Bernardo Bellotto Capriccio with the Colosseum oil


Capriccio with the Colosseum
Painting ID::  10327 		Capriccio with the Colosseum
1743 Oil on canvas Galleria Nazionale Parma
1743_ Oil_on_canvas_ Galleria_Nazionale_ Parma
   
   
     
Bernardo Bellotto Capriccio of Capital oil


Capriccio of Capital
Painting ID::  10328 		Capriccio of Capital
1743 Oil on canvas Galleria Nazionale, Parma
1743_Oil_on_canvas_ Galleria_Nazionale,_ Parma
   
   
     
Bernardo Bellotto New Market oil


New Market
Painting ID::  10329 		New Market
Square in Dresden 1750Oil on canvas Gemaldegalerie, Dresden
   
   
     
Bernardo Bellotto Zwinger Waterway oil


Zwinger Waterway
Painting ID::  10330 		Zwinger Waterway
1750Oil on canvas Gemaldegalerie, Dresden
1750Oil_on_canvas_ Gemaldegalerie,_ Dresden
   
   
     
Bernardo Bellotto The Ruins of the Old Kreuzkirche in Dresden oil


The Ruins of the Old Kreuzkirche in Dresden
Painting ID::  10331 		The Ruins of the Old Kreuzkirche in Dresden
1765 Oil on canvas Gemaldegalerie Dresden
1765_ Oil_on_canvas_ Gemaldegalerie_ Dresden
   
   
     
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     Bernardo Bellotto
     Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.

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